Sunset Over the Chicago Skyline -- Jayne King Ceramics
“Jayne King Ceramics” will be on display October 11 through October 25, 2024, at Marmion Academy’s Dr. Scholl Gallery located at 1000 Butterfield Road in Aurora Illinois. There will be a reception, open to the public, on Friday, October 25 from 4 to 6 PM. If you would like to view the exhibit during school hours, please contact Lisa Dzuricsko via email ldzuricsko@marmion.org to secure an appointment time.
Jayne King is a Chicago-born Jewish artist and recent graduate of the School of the Art Institute of Chicago (BFA 2022), where she spent her time focusing on ceramics, object collection, and book making. Her work has been exhibited nationally at Sweetwater Center for the Arts, Povos Gallery, the Joan Flasch Artists’ Book Collection, the Bridgeport Art Center, James Watrous Gallery, and Woman Made Gallery. King was a 2022 ArtAxis+Haystack Fellowship recipient, a 2022 Chicago Artist Coalition SPARK Grant recipient, 2023 Luminarts Finalist, the 2023 Old Town Arts Fest Inaugural Emerging Artist, a 2023-2024 CPS Lives Resident Artist, and is currently a long-term artist in residence at The Digs Chicago, and a participant in the Hyde Park Art Center's Bridge Program.
Artist Statement, Jayne King
My work encourages conversations about the malleable nature of memory, haunted and holy spaces, and the chain of living connection through a reconsideration of the heirloom porcelain object. At the heart of my artistic impulse is a series of large hand-painted porcelain pots inspired by functional historical forms such as amphorae and canopic jars that I refer to as my “memory vessels”. Their surfaces explore the fundamental desire to safeguard personal narrative and nostalgia, the history of ceramic objects as vessels for storage and preservation, and the ways in which Jewish tradition informs how I’ve come to understand my relationship to my family’s past and my consequential present. These vessels exalt the unseeable things underfoot and consider the intersecting relationships between social invisibility, utilitarian craft history, and the geological mechanisms that both govern and record activity on earth.
My work references and manipulates the history of porcelain as a signifier of both elevated economic status and humble domestic material in an experimental exploration of narrative memory, ecological processes as metaphor, and the relationship between the natural world and the intuitive feelings it can provoke. I’m especially fascinated by the concept of heritage and its many forms, including not only special objects, but one's body and circumstances as well.
These vessels are the culmination of a period of research focused on the "peat archive", a term referring to the strata of decomposed plant matter layers that form the foundation of bog ecosystems, where acidic conditions preserve the bodies of mammals and ancient artifacts. The pieces compare the dual ecological phenomena of decomposition and natural preservation with the archival, but ultimately degenerative, nature of human memory.
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